The BLAND Corporation

I've finally reached a decent enough point in outlining my second draft of my WiP. I'll spare you the details of that process; it's a muddle of moving stuff around, throwing stuff out, putting new stuff in. But if there's any pattern that emerges from this chaos of decisions, it's something I'd call, for lack of a better term, narrative constriction. You know it well, you've seen it many times in stories. The friendly ranger turns out to be a lost king. The sleuth takes the case because it will avenge her former partner. And the big evil dude in a black mask and cape turns out to be the protagonist's father. There are a few things to say about this. First, the world we know doesn't work that way. I'm not complaining about the improbability of coincidences here. It makes sense, in each of those stories' universes, for the coincidence to happen; indeed, everything is arranged such that it wouldn't make sense, were the coincidence to be ...

NaNoWriMo is upon us, again. I won't participate this year, but I take its start to also begin writing the next draft of my WiP. I have it all nicely summarized, except for one trifle: how to lay out the stakes before my MC (and the reader). The "Call to Adventure", as it is sometimes known, or Inciting Incident. The Call should happen reasonably early in the story. It's the moment when the reader gets to know the main conflict (or something that is a plausible main conflict until something even bigger shows up). Also, the reader gets to know the stakes. The hero/ine must prevail, or else ... and whatever the "else" is, hopefully it gets the reader to care about the narrative proceedings. I decided to have a look at some "Calls to adventure" from recent published first time novels (with a couple examples from more established authors thrown in as well), just to see what "the proper ways" to do this may be. But first, let's look at...